Mona Choo is a visual artist and researcher whose work is shaped by 15 years of inquiry into consciousness and the nature of reality. 

At the intersection of art, spiritual exploration, and science, she examines how thought, perception, and material form may be connected. Her pieces often work like quiet meditations, inviting sustained attention and reflection. 

Choo’s practice develops a distinctive visual language that links scientific theories with consciousness-centered, spiritual themes. Her latest work uses geometry as a way to express how consciousness may organise matter, suggesting that thought may have its own geometric structure—an invisible “architecture” made visible through art to offer fresh perspectives on the relationship between consciousness and physical reality. She draws inspiration from thinkers such as David Bohm, Rudolf Steiner, Fritjof Capra, as well as lesser known but no less impactful scientists such as Dan A. Davidson and Dr Ibrahim Karim.

Choo holds an MFA from Central Saint Martins, UAL. In 2009, she was International Print Artist-in-Residence at the Victoria & Albert Museum in London. She has exhibited internationally, including Art Stage Singapore and the Korean International Art Fair, and sits in the permanent collections of the Singapore Art Museum and Macau’s Printmaking Research Centre. In Australia, she was a finalist for the 2018 Tom Bass Figurative Sculpture Prize and the 2023 Urunga Small Sculpture Prize. She has received corporate and private commissions and was recently represented at Art SG 2026 in Singapore by Intersections Gallery and is represented by Handmark Gallery in Australia.